Only miles of stripes come across one thing, which means. Analysis of the poem by A.S.
The moon makes its way through the wavy fogs, It pours a sad light onto the sad meadows. Along the winter, boring road, Three greyhounds are running, The monotonous bell is rattling tiresomely. Something familiar is heard in the long songs of the coachman: That daring revelry, That heartfelt melancholy... No fire, no black hut... Wilderness and snow... Towards me Only striped miles come across one. Boring, sad... Tomorrow, Nina, Tomorrow, when I return to my dear one, I will forget myself by the fireplace, I’ll take a long look. The hour hand will make its measured circle with a resounding sound, And, removing the annoying ones, Midnight will not separate us. It’s sad, Nina: my path is boring, my driver has fallen silent from his doze, the bell is monotonous, the moon’s face is foggy.
The verse was written in December 1826, when Pushkin’s friends, participants in the Decembrist uprising, were executed or exiled, and the poet himself was in exile in Mikhailovskoye. Pushkin's biographers claim that the verse was written about the poet's trip to the Pskov governor for an inquiry.
The theme of the verse is much deeper than just the image of a winter road. The image of the road is an image life path person. The world of winter nature is empty, but the road is not lost, but marked with miles:
No fire, no black house...
Wilderness and snow... Towards me
Only miles are striped
They come across one.
Path lyrical hero not easy, but despite the sad mood, the work is full of hope for the best. Life is divided into black and white stripes, like mileposts. The poetic image of “striped miles” is a poetic symbol that personifies the “striped” life of a person. The author moves the reader’s gaze from heaven to earth: “along the winter road”, “the troika is running”, “the bell ... is rattling”, the coachman’s songs. In the second and third stanzas, the author twice uses words of the same root (“Sad”, “sad”), which help to understand the traveler’s state of mind. Using alliteration, the poet depicts a poetic image artistic space- sad glades. While reading the poem, we hear the ringing of a bell, the creaking of runners in the snow, and the song of the coachman. The coachman's long song means long, long-sounding. The rider is sad and sad. And the reader is not happy. The coachman’s song embodies the basic state of the Russian soul: “daring revelry,” “heartfelt melancholy.” Drawing nature, Pushkin depicts inner world lyrical hero. Nature relates to human experiences. In a short segment of text, the poet uses ellipses four times - The poet wants to convey the sadness of the rider. There is something left unsaid in these lines. Maybe a person traveling in a wagon does not want to share his sadness with anyone. Night landscape: black huts, wilderness, snow, striped mileposts. Throughout nature there is cold and loneliness. The friendly light in the window of the hut, which can shine for a lost traveler, does not burn. Black huts are without fire, but “black” is not only a color, but also evil, unpleasant moments in life. The last stanza is again sad and boring. The driver fell silent, only the “monotonous” bell sounded. The technique of a ring composition is used: “the moon is making its way” - “the lunar face is foggy.” But the long road has a pleasant final goal - a meeting with your beloved:
Bored, sad... Tomorrow, Nina,
Returning to my dear tomorrow,
I'll forget myself by the fireplace,
I can't stop looking at it.
Through the wavy mists
The moon creeps in
To the sad meadows
She sheds a sad light.On the winter, boring road
Three greyhounds are running,
Single bell
It rattles tiresomely.Something sounds familiar
In the coachman's long songs:
That reckless revelry
That's heartbreak...No fire, no black house...
Wilderness and snow... Towards me
Only miles are striped
They come across one.Bored, sad... Tomorrow, Nina,
Tomorrow, returning to my dear,
I'll forget myself by the fireplace,
I'll take a look without looking at it.The hour hand sounds loud
He will make his measuring circle,
And, removing the annoying ones,
Midnight will not separate us.It’s sad, Nina: my path is boring,
My driver fell silent from his doze,
The bell is monotonous,
The moon's face is clouded.
Date of creation: November-December 1826
Analysis of Pushkin's poem "Winter Road"
Alexander Pushkin is one of the few Russian poets who managed to masterfully convey his own feelings and thoughts in his works, drawing a surprisingly subtle parallel with surrounding nature. An example of this is the poem “ Winter road", written in 1826 and, according to many researchers of the poet’s work, dedicated to his distant relative, Sofia Fedorovna Pushkina.
This poem has a rather sad backstory.. Few people know that the poet was connected with Sofia Pushkina not only by family ties, but also by a very romantic relationship. In the winter of 1826, he proposed to her, but was refused. Therefore, it is likely that in the poem “Winter Road” the mysterious stranger Nina, to whom the poet addresses, is the prototype of his beloved. The journey itself described in this work is nothing more than Pushkin’s visit to his chosen one in order to resolve the issue of marriage.
From the first lines of the poem “Winter Road” it becomes clear that the poet is by no means in a rosy mood. Life seems to him dull and hopeless, like the “sad meadows” through which a carriage drawn by three horses rushes on a winter night. The gloominess of the surrounding landscape is consonant with the feelings experienced by Alexander Pushkin. The dark night, the silence, occasionally broken by the ringing of a bell and the dull song of the coachman, the absence of villages and the eternal companion of wanderings - striped mileposts - all this makes the poet fall into a kind of melancholy. It is likely that the author anticipates the collapse of his matrimonial hopes in advance, but does not want to admit it to himself. For him the image of a beloved is a happy release from a tedious and boring journey. “Tomorrow, when I return to my sweetheart, I will forget myself by the fireplace,” the poet dreams hopefully, counting on the fact that final goal will more than justify a long night trip and will allow you to fully enjoy peace, comfort and love.
The poem “Winter Road” also has a certain hidden meaning. Describing his journey, Alexander Pushkin compares it with own life, just as, in his opinion, boring, dull and joyless. Only a few events bring variety to it, like the way the coachman’s songs, daring and sad, burst into the silence of the night. However, these are only short moments that are not capable of changing life as a whole, giving it sharpness and fullness of sensations.
We should also not forget that by 1826 Pushkin was already an accomplished, mature poet, but his literary ambitions were not fully satisfied. He dreamed of great fame, but in the end, high society actually turned away from him not only because of freethinking, but also due to his unbridled love of gambling. It is known that by this time the poet had managed to squander the rather modest fortune he had inherited from his father, and hoped to improve his financial affairs through marriage. It is possible that Sofya Feodorovna still had warm and tender feelings for her distant relative, but the fear of ending her days in poverty forced the girl and her family to reject the poet’s offer.
Probably, the upcoming matchmaking and the expectation of refusal became the reason for such a gloomy mood in which Alexander Pushkin was during the trip and created one of the most romantic and sad poems, “Winter Road,” filled with sadness and hopelessness. And also the belief that perhaps he will be able to break out of the vicious circle and change his life for the better.
Epithets, metaphors, personifications
The text contains the following means of artistic expression:
- personifications - “the moon makes its way, shedding light”, “removing the boring (annoying, unnecessary) ones, midnight ... will not separate”, “sad meadows” - allow the author to “construct” the interlocutor during a long boring journey, giving the text liveliness and imagery;
- epithets - “greyhound (frisky) troika”, “daring revelry”, “heartfelt melancholy”, “striped miles”, “measured circle”, “lunar face” - create a unique content and orient the reader to a special emotional perception;
- metaphors - “light is pouring”, “the face is foggy” - vividly create an indefinite atmosphere of a moonlit evening;
- Numerous examples of inversion - “the moon is making its way, pouring ... its light”, “something familiar is heard”, “miles are striped”, “hour hand”, “my path is boring”, “my circle”, “the coachman fell silent” - allow you to build rhyme and focus on the final word;
- catachresis (a combination of words that are incompatible in meaning, but form a semantic whole) “pours sadly” confirms that everything in the poem is permeated with sadness, even the light;
- polyunion - “now revelry, now melancholy...”, “no fire, no... hut” - reflect the contradictory mood of the lyrical hero, his ardent desire for human communication;
- lexical repetition - “Tomorrow, Nina, tomorrow to my dear...” - reflects the poet’s impatience;
- antonyms - “revelry - melancholy”;
- Numerous omissions - “wilderness and snow...”, “... only miles and miles are found...”, “Boring, sad...” speak of the despair that gripped the lonely traveler, his search for consolation and sympathy.
- The oxymoron - “I’ll just stare at it” - reflects the strength of the lyrical hero’s feelings.
The phrase “striped versts” denotes mileposts, which were painted striped to stand out among the snowdrifts.
The text contains a sign of high style - the word “face”. The overall painful atmosphere is created by numerous repetitions - “she sheds a sad light on the sad meadows,” “longing,” “boring, sad...”, “sad, ... my path is boring.” The lonely traveler's dreams of warmth, comfort, the crackle of a fireplace and pleasant company are interrupted by the same ringing of the hated bell.
Through the wavy mists
The moon creeps in
To the sad meadows
She sheds a sad light.
On the winter, boring road
Three greyhounds are running,
Single bell
It rattles tiresomely.
Something sounds familiar
In the coachman's long songs:
That reckless revelry
That's heartbreak...
No fire, no black house...
Wilderness and snow... Towards me
Only miles are striped
They come across one.
Tomorrow, returning to my dear,
I'll forget myself by the fireplace,
I'll take a look without looking at it.
The hour hand sounds loud
He will make his measuring circle,
And, removing the annoying ones,
Midnight will not separate us.
It’s sad, Nina: my path is boring,
My driver fell silent from his doze,
The bell is monotonous,
The moon's face is clouded.
Analysis of the poem by A.S. Pushkin "Winter Road" for schoolchildren
This work reflects the realities of the century in which the great Russian poet Alexander Sergeevich Pushkin lived and created his brilliant works. The poem was written in 1825 (one thousand eight hundred and twenty-five). Electricity had not yet been invented asphalt pavement roads and cars. The author in his brilliant work writes about what surrounds him, describes a sleigh journey along a winter road. The reader is presented with images that quickly replace each other.
The peculiarity of this work is its fast rhythm. It seems that the rattling sleigh, waddling from side to side, makes the poet rush from side to side. And his gaze reveals the moon, hidden behind the fogs, the backs of horses, the coachman. Immediately, as in a strange dream, the image of Nina appears, to whom Alexander Sergeevich is in such a hurry. This is all mixed up in the author’s mind and conveys not only emotional condition the author, but also a winter landscape, where the wind, the moon, sad meadows.
- epithets: “wavy fogs”, “sad glades”, “boring road”, “monotonous bell”, “daring revelry”, “striped miles”, “foggy moon face”,
- personifications: “sad glades”, the moon makes its way, the lunar face,
- metaphor: the moon sheds sad light,
- repetitions: “tomorrow, Nina, tomorrow, returning to my dear.”.
Bored, sad... Tomorrow, Nina,
Tomorrow, returning to my dear,
I'll forget myself by the fireplace,
I'll take a look without looking at it.
There is repetition in this quatrain - this is how the author denotes fatigue on the road, which exhausts and confuses thoughts and feelings. With the desire to escape from this uncomfortable journey, the poet plunges into memories, but something again makes him return and hear the monotonous bell, see the coachman silently dozing.
The winter road of that time was so difficult that today it is a story about some other world unknown to us.
The works of Alexander Sergeevich Pushkin depict scenes from his life. They are bright and accessible. The culture of speech and the skill of the poet teach the culture of communication and storytelling.
Through the wavy mists
The moon creeps in
To the sad meadows
She sheds a sad light.
On the winter, boring road
Three greyhounds are running,
Single bell
It rattles tiresomely.
Something sounds familiar
In the coachman's long songs:
That reckless revelry
That's heartbreak...
No fire, no black house,
Wilderness and snow... Towards me
Only miles are striped
They come across one...
Bored, sad... Tomorrow, Nina,
Returning to my dear tomorrow,
I'll forget myself by the fireplace,
I'll take a look without looking at it.
The hour hand sounds loud
He will make his measuring circle,
And, removing the annoying ones,
Midnight will not separate us.
It’s sad, Nina: my path is boring,
My driver fell silent from his doze,
The bell is monotonous,
The moon's face is clouded.
Analysis of the poem “Winter Road” by Pushkin
A. S. Pushkin was one of the first among Russian poets to successfully combine landscape lyrics with personal feelings and experiences. An example of this is the famous poem “Winter Road”. It was written by the poet during a trip to the Pskov province (late 1826).
The poet was recently released from exile, so he is in a sad mood. Many former acquaintances turned their backs on him; his freedom-loving poems are not popular in society. In addition, Pushkin is experiencing significant financial difficulties. The nature surrounding the poet is also depressing. The author is not at all happy about the winter trip, even the usually cheerful and encouraging “bell... rattles tiresomely.” The coachman's mournful songs exacerbate the poet's sadness. They represent a purely Russian original combination of “daring revelry” with “heartfelt melancholy.”
The endless Russian versts, marked by wayposts, are tiresomely monotonous. It seems that they can last a lifetime. The poet feels the immensity of his country, but this does not bring him joy. A weak light seems to be the only salvation in the impenetrable darkness.
The author indulges in dreams of the end of the journey. The image of the mysterious Nina appears, to whom he goes. Researchers have not come to a consensus on who Pushkin means. Some believe that this is a distant acquaintance of the poet S. Pushkin, with whom he was associated love relationship. In any case, the author is warmed by the memories of the woman. He imagines a hot fireplace, an intimate setting and privacy with his beloved.
Returning to reality, the poet sadly notes that the boring road tired even the coachman, who fell asleep and left his master completely alone.
In a sense, Pushkin’s “winter road” can be compared with his own fate. The poet acutely felt his loneliness; he found practically no support or sympathy for his views. The desire for high ideals is an eternal movement across the vast Russian expanses. Temporary stops along the way can be considered numerous love stories of Pushkin. They were never long, and the poet was forced to continue his tedious journey in search of the ideal.
In a broader sense, the poem symbolizes the general historical path of Russia. The Russian troika is a traditional image of Russian literature. Many poets and writers, following Pushkin, used it as a symbol of national destiny.